The Third Bullet - Страница 7

“I always play by the rules.”

“No, you never play by the rules, and my career has benefited from it to no end. If you say this ultimately might have to do with something we nearly unraveled twenty years ago but which slipped through our hands, that’s fine. I’ll buy in to that, cautiously, like the pension-scared bureaucrat I’ve become. But I remember. Everything I got since then, I got because of that wild ride we went on out of New Orleans that made me a Bureau star back in ’93. And I don’t forget you saved my life on that ride. I will always owe you, and I will stand by you on this last wild ride, even if it goes straight into craziness. Just. . be careful.”

“Thanks, Nick. Stick with me, and we’ll get you back to Washington.”

“Yeah,” said Nick, “maybe in a casket or a pair of handcuffs. So what’s the first stop?”

“Up there,” Bob said, suggesting by shoulder twitch the sixth-floor corner window. The sniper’s nest.

He paid his $13.50 and received some kind of tape recorder to wear around his neck. The instructions were to push a certain button when the elevator dumped him off at floor six, and thereby launch the recorded narrative that would guide him across the floor at a certain pace and direction. He saw that the point of the tape recorder wasn’t to inform people, most of whom, if they self-selected themselves for the trip, knew where they were going and what they would see, but to isolate them, to keep them moving at a steady pace and to cut down on the chatter, as if it were a reliquary.

And it was, holding not the bones of a saint but the bones of the past. Now the empty, box-filled space of nothingness that had been the sixth floor fifty years ago had been turned into a generic JFK museum, a polite narrative of the themes of that day expressed neutrally, without outrage or snark, in the old journalism tradition of the five Ws. Swagger knew the five Ws of this one already and didn’t need a refresher, so he left the tape recorder silent and slid through the thin crowd of tourists who clustered in smallish groups at each of the signboards and photo displays that followed the strands. It all led to one spot.

Swagger looked at it. The good fathers of Dallas had decided to cut down on the vicarious teenage thrill of being Lee Harvey and lining up the head shot from exactly his place and posture; they had erected a cubicle of Plexiglas to seal off the corner but also as if to preserve it in amber, a frozen ghost of a lost bad time.

Swagger stared at the array of Scott Foresman boxes, arranged just as the screwball from New Orleans had done, building a childish little fort that would block him from the view of anyone else on the sixth floor and also give him a solid supported position for the shot. The guy had been a marine, after all; the importance of the sound position had been drilled into him, and on his day of days, he had not forgotten it.

Swagger looked, unsure what he was supposed to feel. Too many people were drifting by or resting on benches for it to have any ceremonial dignity; it was just a crummy corner of a crummy building looking through a crummy window. He went to the window-not Oswald’s, which was unreachable behind the Plexiglas, but the next one over, and saw how close the two crosses in the street were. The longest was 265 feet away, if he remembered correctly. The head shot. Under a hundred yards. The range wasn’t as important as the angle: he was here for the angles. This one was an outgoer, about three or four degrees to the left, diminishing slightly as the distance increased, moving laterally right to left but just as slowly. With any modern hunting rig and a hundred bucks’ worth of Walmart optics from low-end Chinese glassworks like BSA or Tasco, it would be an easy enough shot. Given the angle and the speed, it was hardly a mover at all; given the stability offered by the carefully arranged boxes, it was like shooting bull’s-eye at the bench.

There were other things that leaped out at him. The first was that when the big limo had pivoted around that 120-degree turn, it must have been almost still, or at least moving so slowly that the movement would have no play in the shooting. Moreover, it was so close. It was seventy-five feet away, almost straight down, and JFK’s chest and head were in total exposure and the windshield between the passenger compartment and the driver’s compartment was overcome by the vertical angle of the downward trajectory. That was the shot. He tried to figure out why Lee Harvey hadn’t taken it.

Maybe he would have had to lean out too far. Maybe if he’d had a better shot, they also would’ve had a better shot, and even a good pistol guy with a four-inch Smith.357 or a Colt.45 ACP, as both feds and Dallas cops carried in those days, could draw, fire, and hit in a second’s worth of move. Maybe Harvey would be the one with the brain shot from some Secret Servicer’s Smith four; he’d be the one with cerebellum shredded and blown raggedly everywhere. Or maybe he’d fogged the scope. Maybe he’d had a qualm, a regret, a bolt of fear, and lost his killer’s determination, a brief crisis of confidence. All of those could explain it, but which one did?

Swagger looked to the right. Lee Harvey doesn’t take that shot. Instead, he lets the car crank around the corner and disappear behind the line of oak trees at the side of the road, and shoots through them. Duh. How stupid is that? Why would he do something so stupid? Was he an idiot, in the grip of panic, a hopeless loser? And of course: he missed.

Swagger then looked at the first X on Elm Street, which would have been Lee Harvey’s second shot fired, after the miss. That was probably his best opportunity after passing on the turner below him and after recovering too quickly and missing the first shot, but he’d blown that one too, at least in the sense of missing the head shot and landing a few inches low, in the back under the neck. Yes, he was coming off a swift bolt throw, but the target was under two hundred feet away, and from the target angle (always the angles!), it did not present an image moving harshly or radically. By his standards, he missed, and given the president’s lack of visible reaction, Oswald might have counted it as a clean miss. You’d think, still, if he were going to hit a head shot, that was the one he would have hit, not the third, even farther out, the target even smaller, coming off another fast bolt throw. It was the third he’d hit. And he had hit it. No doubt, no regret, no pain, no nothing, no force on Earth could change the fact that a 6.5 mm bullet had hit Jack Kennedy in the head at 12:30 p.m. November 22, 1963, and shocked the world with the visceral reality of the shattered skull, the vaporized brain tissue, the animal vibration of catastrophic trauma.

Could Oswald have made that shot? Bob considered. The question wasn’t abstract; he might have had the skill, but that skill had to be expressed through the system he used, and it had to be forced through the prism of the actual. He was a punk nobody shooting at the president of the United States in a hurry, working a bolt that had to be at some level unfamiliar to him-he’d trained on the old semi-auto M1 Garand, as had Bob-so the adrenaline must have been coursing through his veins like lighter fluid. All the buck-fever things must have been happening; eyes wide to f/1, auditory exclusion, loss of fine motor control, vision impingement, the sensation of oxygen debt. Yet he made the shot.

It was an easy shot. Bob probably could have made it offhand, as any of the dozens of snipers he’d known could have. So what? The issue was, could this little monkey from all our dark furious dreams, with his hatred and bitterness and political crackpottiness, his incompetence and long history of failure, could he have made that shot on that day at that time?

It was stupid to ask, even if thousands had done so publicly. That’s because to answer, you had to be familiar with the capacities of the rifle at its maximum and at its minimum. He turned, and as if by magic, there it was: a full-size silhouette of C2766, the Mannlicher-Carcano Model 1938 carbine made in Terni, Italy, in 1941 and scoped by an anonymous mechanic-“gunsmith” was far too grand a word-with a cheesy 4X tube out of a Japan that hadn’t yet discovered its postwar optical engineering genius and was attached to the receiver by a machined piece of pot metal in the form of a scope mount, all of it held together by two screws when there should have been four. The image floated at Bob off a signboard a few feet away. He walked over and confronted the thing as reproduced in the full-size photo.

The FBI forensic ballisticians had done a number on the weapon as soon as they received it, but Bob had looked through the testimony and found it somewhat spotty. Frazier, the agent, was revered in the Bureau as a gun expert, but Bob noted that he was a high-power shooter by choice (and a champion at that), which meant he specialized in the discipline of shooting large, stable targets at long range (out to six hundred yards) with service rifles through open sights. His skill set would have included stamina, sophisticated wind doping, trigger control, and long-term nervous system control. By experience, he was not particularly knowledgeable about or comfortable with the telescopic sight or precision shooting. The one shot/one kill mantra of the sniper would have been lost on him. Though his testimony in certain areas seemed problematic, Swagger knew he’d have to look more carefully at it on another day.

Here, in 2-D glory, the rifle looked like something an eight-year-old tin soldier in a red papier-mache tunic might carry in a junior high version of The Nutcracker. He’d been dragged to a production when Nikki was in her ballet phase and remembered the stiff-legged little boys with the red circles painted on their cheeks under the tall cardboard faux-hussar hats. That was how miniaturized and quaint it seemed. It was small, hardly a weapon of war. Like many of the rifles of the Mediterranean, it seemed somehow to lack seriousness of purpose; it wasn’t a heavily machined vault that could shoot a bullet a mile with accuracy or provide a platform to drive a bayonet into a man’s guts, like a Mauser, a Springfield, a Lee-Enfield. You might use it to pot rabbits, as it was of light caliber: roughly.264 in an age before high-velocity powders, not a.30 with its tons of muzzle energy. The ballistics were unimpressive. He looked at the stamped pot-metal scope mount, well resolved in the photo blowup, and noted that it boasted enough detail to depict the two empty screw holes on the plate that held rifle to scope. What influence would that have had on events? How long would the two screws hold the scope tight, if they’d been tightened at all? Through one shot or two or, most important, three? What would the consequences be of a loose scope, which would reset itself whimsically after each shot, screwing up accuracy? All good shooters tightened their scope screws before they fired; had Oswald? Would he have known that? He wasn’t trained on scopes in the Corps, just the knurl-index click system of the M1 peep sight, a brilliant mechanical device in its day. Did Oswald understand the concept of zeroing a scope? Was this scope zeroed? Was it altered after recovery? All these questions would have to be answered in re: this particular rifle, not any other, before one could issue a comment on its capabilities.